Creations By ASH: May 2013

Since it's such a rainy day today, I took the opportunity to cross off one of the longstanding items on my to-do list.

The day we brought out son home from the hospital, the floor outside of his room started to squeak. I swear that when we left for the hospital, they didn't squeak - but the very first time we tried to tiptoe out of his room, the floor made more noise than a nest of baby mice.

A year later, I ran across this video from This Old House, which was showcasing a kit that dealt with squeaky carpets. The video can do a better job of explaining the process than I can, so head over there for the full details! Basically, this kit will stop creaky floors, squeaky floors, and noisy floors. Carpet is easiest, since when you finish everything is hidden, but it can also do hardwood floors too.

Fixing the floor started off with finding the joists. To do this, the kit includes a pair of long rods with a short section of thread on one end. Drill that straight through the floor where you think the joists are - if you're right, when you go to reverse the bit out, the drill will rise without you needing to pull it. If you missed the joist, the drill will spin without backing out of the hole unless you pull on it. Careful - the bit heats up quickly, let it cool down between joist-finding attempts.

Once you've found a joist at one end of your squeaky area, you can measure to the side by sixteen inches (usually) to find the next joist in line. Check at 16" intervals using your tape measure and the joist finding bit, then drive in a screw a little way to mark the spot. You'll be changing bits a lot, so either use two drills or a hex bit adapter so you don't have to retighten the chuck every time.

Once you've got two rows of screws outlining the squeaky area, you can fill in the middle sections. The package recommended driving the screws 4" apart along the joist line, but I went with 8" since I wasn't sure if I had enough screws. Stretch your tape measure between the screws you drove into the joists earlier, so you know that you're hitting a joist.

The kit comes with a square driver and a three-pronged depth control fixture, which makes sure you don't drive the screw in too deep.

Using the square driver, drive the screw into the carpet until the stop bottoms out in the depth controller.

When you've driven it in, you'll see that the screw head is sticking up a little bit above the carpet, sure to be painful if stepped on. Don't worry - they thought of that.

When you are completely finished with the floor, and happy with the lack of squeaks, you can snap the heads off of the screws. Wait until the very end for this - you don't want to have to repeat all the work finding the studs, and you can see where you've already driven in screws near problem areas. Test it out by walking around, and when you're finally happy with it, pull out your depth setter again.

See the little cutout on one of the three feet?

Slide that over the head of one of the screws

Give it a twist to the left and right

The top of the screw, which has a weak spot designed in the shaft so it will snap below the surface of your flooring, will snap off.

Snap off all the screw heads in the floor - when you're done, you'll have a nice tidy pile of screw tops.

That's it! Now that I know it works, I've ordered some more screws to do the other squeaky spots upstairs. When I'm done, it will sit on my shelf for years - anyone want to borrow it / buy the extra screws in a couple of weeks? Cheap cheap cheap ...

How do you do a before and after picture of a squeak? I took a video of the floor before ...

... and another one after. No squeaks! I love it ...

Materials for this project: this kit. Extra screws, naturally, cost extra money - but the fifty that came with this kit were enough for the hall, so I'm happy. I feel good enough about the project to invest in more screws to do the rest of the upstairs, though I wish they had a 100-count pack, since 250 will be way more than we need.

Back in October, as Samantha and I were discussing the idea of building our own Farmhouse Table, my mother was deciding to use part of her inheritance from my grandfather to buy us a dining room table. The night we decided to tell each other about our plans, new plans were formed, and Mom decided to buy the tools and materials we needed to build the table.

Given that those tools are what have made all of these projects possible, I've wanted ever since to build something for her as a present. Mother's Day seemed like a great opportunity, and the idea came together when my father gave me some leftover scraps from when he built her kitchen. I wound up with some of the countertop tile, and some of the black walnut stock.

Making a trivet seemed like the natural way to combine those two materials. Making two trivets seemed like a great way to try out some woodworking techniques that I hadn't ~~played with~~ tried yet.

Since I didn't know how long it would take to make them, I decided to start with just one. The simplest and cleanest of my many ideas was to edge-glue several pieces together, then use my router to carve out a depression in the center to hold a piece of tile. Going with the size of some of our own trivets (and after calculating how much I could get out of a single piece of black walnut stock), I decided to make my trivets 7" square.

After choosing my piece of wood and making sure it was square and smooth on all four sides, I set up a stop block and cut four equal-sized blocks from the piece.

I spent some time arranging the four blocks so that the grain patterns lined up as nicely as possible on the top, bottom, and ends of the blocks. Once I had the pattern right, I drew a V shape across all four pieces so that I could line them up again instantly.

To get a nice tight fit for the glue, I ran the mating edges of the pieces through my newest machine, an old jointer that my father had in his basement. This paragraph is skipping about three hours worth of work during which I tuned up the jointer and adjusted the height of the infeed and outfeed tables, along with the knives - but the end result was worth it, because after a few passes through the jointer everything fit together with absolutely no gaps. I probably could have saved myself some time by jointing the long piece before cutting it into the four small pieces, but oh well.

A small square kept everything aligned correctly, though I wish that I had clamped it all down to a solid surface to keep it flat and level. It would have saved me some work with a sander later.

I glued and clamped the pieces together two at a time, so only a single glue joint was drying at any one point.

Once the two original joints had dried, I glued the two matching halves together.

The blank needed some sanding here, but nothing too bad. I squared up the blank at the miter saw, using a stop block for the last two cuts to ensure that it was perfectly square.

A small framing square served to prove that all the corners were precise 45 degree angles.

I next wanted to rout out a shallow, square depression in the blank to hold the piece of tile level with the top of the wood. I set the depth of the plunge cut by setting the router on top of a piece of tile, then lowering the bit until it was below the tile.

To define the edges of the square depression, I used the edge guide that came with my router, set to cut a line at the farthest edge of the blank. Right about here I started to wish for a workbench with bench dogs and vises, because clamps and such were not designed to work in this situation. Note how the edge guide is on the side furthest away from where the router is cutting.

Take the cuts nice and slow, staying away from the corners until you know where they are going. See how the uneven depression in the bottom right of the first picture is in the bottom left of the next? I kept the router's orientation the same, and rotated the workpiece between each cut. Since the block was square, this resulted in an even set of cuts.

Once the edges are defined, hollow out the center with the router, then square up the edges with a chisel.

Now that the wood was cut and ready, I prepared my tile. I found a tile saw at a yard sale last year, and split the purchase price with my father - it goes back and forth between us depending on who is doing projects at the moment. If you don't have a saw, you can find small tiles and just size your trivet to match.

The square tile matched the opening in the workpiece with just a little room left around the edges.

A coat of thin set cements the tile in place.

To keep the tile spacing equal, I found a bunch of finish nails and dropped the ends down between the tile and the edge.

Since I still had a week before Mother's Day, I decided to make a second trivet. The technique I wanted to try for this one was to miter pieces of black walnut to serve as edging, and use a "filler" piece of wood to support the tile.

I cut a piece of black walnut to 15" long, then ripped it into two 1" wide pieces (matching the other trivet's edge).

Next, I cut a piece of pine to a 5.5" square, and cut a rabbet along the bottom edge. I then cut a matching groove in the two walnut pieces.

The tongue on the pine pieces went into the dado on the walnut pieces.

Figuring that a miter saw was, after all, meant to cut miters, I used mine to cut a 45 degree angle onto the ends of the walnut, with the dado on the short side.

This let me start matching the corners with the mitered pieces.

I kept going until I had all four pieces mitered slightly longer than their final length, then used a stop block to trim them all down to exactly the same length. After a dry fit, I applied glue and clamped them up.

I made one major mistake while gluing - see below. I was so focused on gluing the mitered blocks to the center piece that I forgot to apply glue to the miter joints themselves. This led to some separation later on down the road, forcing me to use a brad nailer to pin the corners together and then mix some sawdust and glue to fill in the resulting divots.

For the fun of it, I cut four small square tiles to fill in this trivet, rather than one large square.

This time, I'd sized the tile correctly so I could use proper spacers. I laid a straightedge across the tile to make sure that everything was flush with the top, alternately prying up and tapping down low and high spots.

In the spirit of trying out new techniques, I used two of my five router bits to make different profiles on the edges of the two trivets. It was a little thing, but it really did dress up the project quite a lot, and made the edges look much more pleasing. I'm glad I tried it, even though (again) I had to use a bunch of boards and clamps to hold the piece still while I routed.

With tile in both trivets and profiles routed onto the edges, the final step was to fill in the gap between the tiles and the sides. To match the original kitchen, I used a silicone filler; that's the only part that I seriously regret. My silicone came out looking very bumpy and uneven, and was impossible to smooth out. I wish I'd used regular grout, but I guess that's a lesson learned for next time!

For finishing, I used Walnut-tinted Danish Oil. First time using an oil as opposed to a regular stain, and I really liked it. Rather than sitting on the surface and building up coats, the oil just penetrated right into the pores of the wood. I did two coats, but really only needed one.

Like my painter's corners supporting the pieces? Those were part of the shipping packaging of my son's crib, which I saved over a year ago when I threw out the cardboard. I thought, "I'll find a use for these someday" - and now I have! ~~Oh no, no, no ... I'm turning into my father!~~ With these up, I can finish both sides of the project without waiting for them to dry.

The finished product!